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Tennis psychology is the same as understanding the workings of your opponent’s mind and gauging the effect of your own strategy on his/her head and also understanding the psychological effects resulting from the various external causes on your own head.

Nevertheless, it is also true that you no one can be a successful psychologist of others without first understanding his own mental processes. So, you have to study the effect on yourself of the same thing occurring under various conditions. This is because you react differently in different moods and under different conditions.

You have to understand the effect on your game of the resulting irritation, joy, bewilderment, or whatever other form your reaction is. Does it improve your prowess? If so, strive for it, but never offer it to your opponent. Does it deprive you of concentration? If so, either remove the cause, but if that isn’t possible, strive to ignore it.

Once you have accurately measured your own reaction to circumstances, observe your opponents in order to determine their characters. Similar characters react similarly, and you may judge men of your own type by yourself. Opposite temperaments you must seek to compare with people whose reactions you know.

A person who can control his/her own mental processes stands an great chance of reading those of someone else for the mind works along certain lines of thought and can be studied. One can only control one’s own mental processes after carefully studying them.

A steady, phlegmatic baseline player is rarely a quick thinker. If he was he would not adhere to the baseline. The physical appearance of a player is often a pretty clear indicator of his/her sort of mind. The stolid, easy-going player, who usually advocates the baseline game, does so because he hates to stir up his/her slow mind to think out a safe strategy of reaching the net.

Then there is the other sort of baseline player, who would rather remain on the back of the court while directing an attack intending to disrupt up your game. He is a much more dangerous player, and a deep, keen thinking antagonist. He achieves his/her results by mixing up his/her length and direction and worrying you with the variety of his/her game. He is a good psychologist.

The first type of player mentioned above simply strikes the ball with little thought about what he is actually doing, while the latter always has a definite strategy and sticks to it.

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The hard-hitting, unpredictable, net-rushing tennis-player is a person of impulse. There is no real system to his/her game, no understanding of your game-plan. He will make brilliant rallies on the spur of the moment, mostly by instinct; but there is no, no consistent thinking. It is an interesting sort of character.

The most dangerous player is the one who mixes his/her style from back to fore court at the direction of an ever-active mind. This/her is the player to study. He is a player with a definite intention. A player who has an answer to every query you present him in your game. He is the most subtle antagonist in the world of tennis. He is of the school of Brookes. Second only to him is the player of slavish determination that sets his/her mind on one plan and adheres to it, bitterly, fiercely fighting to the bitter end, with no thought of changing his gameplan.

He is the player whose psychology is rather easy to understand, but whose mental viewpoint is hard to derail, for he never allows himself to think about anything except his game. This/her player is your Johnston or your Wilding. I respect the intelligence of Brookes more, but I admire the determination of Johnston.

Pick out your sort from your own mental pattern, and then work out your game along the lines best suited to you. When two men are in the same class as regards stroke, strength and equipment, the deciding factor in any game is the mental viewpoint. Luck, so-called, is often just grasping the psychological value of a break in the game, and turning it to your own advantage. We hear a lot about the “shots he has made.” Few realize the importance of the “shots he has missed.”

The science of missing shots is just as vital as that of making them, and at times a miss by an inch is of more value than a return that is killed by your opponent. Allow me to explain. A player forces you far out of court with an angle-shot. You run hard to it, and having reached it, you drive it hard and fast down the side-line, missing it by an inch. Your opponent is surprised and put off his stride, realizing that your shot could just as well have gone in as out. He will expect you to attempt it again and he will not risk it next time. He will try to play the ball, and may make an error. You have thus taken some of your opponent’s confidence, and increased his/her chance of error, all because of a miss.

If you had just popped back that ball, and it had been killed, your opponent would have felt even more confident of your inability to get the ball out of his/her reach, while you would merely have been winded without result.

Let’s just say that you had made that shot down the sideline. It was a seemingly impossible get. First it amounts to TWO points, because it took one away from your opponent that should have been his/her and gave you one that you ought never to have had. Second it also upsets your opponent, as he feels that he has thrown away a big opportunity.

The psychology of a tennis match is fascinating, but readily understood. Both men start with equal chances. Once one player establishes a real lead, his/her confidence goes up, while his/her opponent worries, and his/her mental standpoint becomes weaker. The sole aim of the first player is to hold his/her lead, thus maintaining his/her confidence.

If the second player draws even or pulls ahead, the inevitable reaction is an even greater contrast in psychology of the players. First, there is the natural confidence of the leader of the game, but it is boosted by the great stimulus of having turned a seemingly sure-fire defeat into a likely victory. The case of the other player is the reverse. He is likely to lose confidence and play worse. The collapse of his game plan will be the result.

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I trust that this, my initial dissertation on the fundamentals of tennis, will be found useful by both novices and experts alike in the tennis world. I am striving to arouse interest in the student of the game of tennis by a somewhat lengthy discussion of match play, which I trust will cast a new light on the sport of tennis.

I will address the novice in my opening article and speak of certain things which are second nature to the skilled player. The best tennis equipment is not much good to the novice even if he really is trying to succeed. However, one has to buy good quality; it is a saving in the end, as high quality material far outlasts poor quality gear.

It is important to always dress in tennis clothing when engaging in tennis. The question of choosing a tennis racquet is a much more serious matter. I do not advise forcing a certain racquet upon any player. All the standard makes are excellent. It is on the weight, balance, and size of handle that the real value of a racquet frame depends, while good stringing is essential to obtain the best results.

After you have selected your racquet, make a firm resolve to use only good tennis balls, as a consistent bounce is a great aid to advancement, while a “dead” ball is no use at all. If you really desire to succeed at the game and advance rapidly, I strongly urge you to see all the good tennis you can. Study the play of the leading players and strive to copy their strokes. Read all the tennis instruction books you can find. They are a great help.

Much more tennis can be picked up off the tennis court in the study of theory and in watching the top players in action, than can ever be learned in one’s own actual play. I do not advise that you should miss opportunities to play tennis, far from it. Play tennis whenever you can, but try when playing to put into practice the theories you have read about or the strokes you have watched.

Do not allow yourself to become discouraged by slow progress. The manner of playing some stroke you have worked at over weeks in vain, will suddenly come to you when you least expect it. Good tennis players are the product of hard work. Very few players are born geniuses at the game. Tennis is a game that pays you interest all your life. A tennis racquet is a letter of introduction in any town.

The fellowship of tennis is universal, since none but a fit sportsman can succeed in the game for any long period of time. Tennis offers relaxation, excitement, exercise, and pure enjoyment to the player who is bound hard to his job until late afternoon.

The following order of development produces the quickest and most lasting results: 1. Concentration on the game. 2. Keep the eye on the ball. 3. Foot-work and weight-control. 4. Strokes. 5. Court position. 6. Court generalship or match play. 7. Tennis psychology.

Concentration. Tennis is played first with the mind. The best racquet technique invented will not be enough if the directing mind is wandering. There are many causes of a wandering mind in a tennis match. The main one is loss of interest in the game. No one should play tennis with any expectation of real success unless he cares enough about the game to be willing to do the practice necessary to learn the game correctly.

Jack it in right now if you are not willing to work very hard. The weather, conditions of play or the noises in the gallery often confuse even very experienced match-players playing in new surroundings. Complete and utter concentration on the game is the only cure for an erring mind, and the quicker that lesson is learned the more rapid the improvement of the player.

The best way to keep a game in focus is to go for every set, every game in the set, every point in the game and, eventually, every shot in the point. A set is merely a conglomeration of made and missed shots, and the man who misses the least is the final victor.

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It is highly unlikely that you will not know of the French Open tennis championship, because it is a competition which is an annual topic of conversation. In French the name of the competition is ‘Les Internationaux de France de Roland Garros’ or ‘Tournoi de Roland Garros’. This tournament, which lasts for roughly two weeks is held in Paris at the Roland Garros Stadium, from which it got its name.

It is one of the most publicised and broadcast sports events throughout the entire world and lots of VIPs go to it. The attendees are fanatics who wait with baited breath on every stroke, especially when there is a tight struggle between two players, trying their best to win. Even TV viewers actually get a feeling of being there live.

The French Open tennis championship comes in second on the annual schedule of the Grand Slam tournaments and its history goes back to the year of 1891 when it became an international competition. At that time it was named the ‘International Championship of Tennis of France’ or ‘Championat de France International de Tennis’ in French.

First of all, only players that were registered or licensed in France were permitted to join in this competition, but things took a different turn in 1925, when the French open tennis tournament finally became accessible to international players. Until 1912, the court the players used was made of crushed red brick dust. Actually the crushed brick was formed into a sort of red clay that was spread over the ground, which, until then, would have been a grass lawn.

The popularity of the French Open tennis tournament held at Roland Garros dates back to a competition between the Philadelphia Four (Rene Lacoste, Jean Borotra, Henri Cochet and Jacques Brugnon) who won the Davis Cup in 1927. It triggered the desire in the French to defend their cup in future competitions. This new tournament designed to bring back home the cup was held on a stadium named after the World War I pilot Roland Garros and since then the name has stuck.

The term ‘open’ was has been used from 1968, when the tournament was open to both amateurs and professionals alike who wanted to test their skills at tennis. Since then the French Open tennis tournament has also brought in some novel prizes.

Apart from the regular winners’ prizes, they also give prizes called ‘Prix Orange’ for the most correct and press-friendly player, ‘Prix Citron’ for the player with the strongest personality and ‘Prix Burgeon’ for the one the best new-comer of the tennis year.